Last week I was eating at Los Bravos with my friend Bob, and during our conversation I had a vision. I knew what needed to be painted now more than anything else, more than yet another nude biblical character or some mythological being ordering a pizza. I looked at Bob while he was speculating about whether Thomas Aquinas would have been a guitarist or a drummer, and I said, "I know what I can paint. This is something so necessary." I explained that we had lots of portraits in the library and in the refectory of luminaries and eminences, theological and spiritual promotories. But we lacked a representation of the thing that lies more at the heart of the seminary than any of these people: more central than the old guy with his crutch or the guy playing the fiddle. There are guys (and one or two women) sitting and standing, wearing robes and suits, but there is no image of our endowment. It is the invisible eminence. The endowment lives among us, unheralded, yet we are often enjoined to think of it. What might the endowment feel if we do this or that. The endowment is almost like a child: it needs to be protected. Yet the endowment has a mind of its own: it's up this year after being down a few years.
What does the endowment look like? Dismiss the obvious entendre out of hand. That's too obvious and obvious doesn't have much aesthetic value. Perhaps a Coke bottle in the rain: is the coke bottle half empty or half full? Again too obvious.
I will have to abstract something. I will have to dig within myself and express the essence of the endowment. How does the endowment feel? We never talk about that. Does the endowment walk the campus at night and ponder the stars? Is it a creature of the day or the night? Has the endowment suffered a lost love? Does it send its mother a Mother's day card?
Perhaps we need a "children's letters to the endowment" program. "Dear endowment, I am a young boy in middle school. Everyday my mom packs peanut butter sandwiches in my lunch. When I grow up I hope to be an astronaut or a rodeo clown. I'm failing math, so I don't know about the rodeo clown. Did you eat peanut butter sandwiches when you were a kid?"
Endowments love heartfelt letters like that. Only children can write that way.
But what does the endowment look like? We know that it's a large endowment and capable of doing anything. It can save and protect us. Is the endowment Super Man or UeberMensch?
I'm struggling with this in my studio.
Sunday, June 10, 2007
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7 comments:
Well, duh. Aquinas obviously was the keyboard player.
I think the endowment should look like a fire that we are all stoking all the time.
To quote the immortal Beavis: "FIRE! FIRE! FIRE!"
Yes - good one Jami, a fire, that we stoke and we stoke until it burns the ground out from under us and we suddenly have to question what it is we are standing on, and what this thing is that we thought we could control and manipulate.
And Fred - I can't meet at Twains this Friday, we are going out of town, but I want to read your sermon from Sunday, mine's already on that old sermon blog.
And yes, Aquinas WAS obviously the keyboard player, but it was one of those keyboards that has a strap that you wear like a guitar, most brillienly used by the heavy metal Christian band, crap, I forgot the name, but you know who I'm talking about.
Joe, it's me Bob, not Jami.
I think "Crap I forgot the name" is a great band name itself.
Wonder if it was the rez band?
I remember the rez band. I finally got my sermon uploaded. I had to edit it for public consumption. I like Aquinas with the portable keyboard. I think that would be a good topic: what kind of band, instrument, etc. various theological figures would be.
I see Calvin kind of like Robert Plant. Luther's more Neil Young.
WRONG. Here you go:
Karl Barth: saxophone
Aquinas: Keyboards (Wurlizter? Hammond B3??? A lenghty tome will need to be written to settle the dispute)
Niebuhr:Percussion
Schleiermacher: Piccolo
Martin Luther: Electric Bass
John Calvin: Electric Guitar
Kierkegaard: slide whistle
Also, I see the singer as being either Augustine or Bono.
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