
What is without argument is that the message of this window privileges the Bible. There is no mention of Jesus. And who is the Bible addressed to? White people, who speak English - the lingua franca of God's approval.
Now one oddity is that none of the people in this window are looking at the same thing. It may be that the artist used stock figures from other scenes - kind of like if a person used clip art to make a nativity. The woman on the left, who reminds me of the actress Hope Davis, is looking directly at us - which is a good strong device to bring the viewer into the picture; but then the old guy on the right is looking ambiguously at the beam of light. Also Hope is pointing at the youth in the middle, who is looking somewhere over our left shoulder.
I think the woman in the wimple on the right is looking at the Bible. It's almost as if these people had gathered around a rock and a Bible had thumped down to earth between them. I do have to say that the rock it has landed on is well done. (Years ago, someone asked me how I paint rocks, and I said that if the rock is small enough I pick it up with my hand and paint it on a table, letting the top dry completely before painting the bottom)
What is this picture saying? We were standing in line for a gladiatorial tourney and this book, with a title page in the middle, landed on this rock, trailing golden light behind it. For all the theatricality of the entrance of The Bible, I can't get over how unimpressed, how unmoved the people are witnessing it. They're just standing stupidly around, not really relating to each other, almost oblivious to what's happened (a giant book has landed from the heavens onto this rock! Doesn't that freak you out!? Why do you look like you can't wait for this to be over?) - which may be the message of the window: this is the Church.
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